Hello, God! Everything has gotten really quiet here this evening. Kim and I ate dinner and watched a few episodes of one of our favorite TV shows together. Now, she has turned in for the night, and I have decided to just turn off the TV and spend some time reading and writing in my journal. I should do this more often – there’s usually not anything much good on TV anyway… I just sit there with a blank stare and surf up and down the channels (over 100 channels, and I can’t find one thing that interests me). I’m such a creature of habit.
When I read “Blue Like Jazz” by Donald Miller, one passage that resonated in my soul was the following:
"My friend Jason and I went on a trip to Joshua Tree and Death Valley, and he had a map folded across his lap nearly the entire trip. Even when I was driving, he had the map out, following along with his finger the trajectory of the car, noting how close we were to certain towns, certain lakes. Jason liked to know where we were on the map (and so did I, as a matter of fact). But I was afraid to tell Jason about the universe, how scientists haven’t found the edge of it, of how nobody knows exactly where we are on the map.
"I think we have two choices in the face of such big beauty: terror or awe. And this is precisely why we attempt to chart God, because we want to be able to predict Him, to dissect Him, to carry Him around in our dog and pony show. We are too proud to feel awe and too fearful to feel terror. We reduce Him to math so we don’t have to fear Him, and yet the Bible tells us fear is the appropriate response, that it is the beginning of wisdom." (1)
When we think about You, God – when we try to wrap our brains around who You are – there is a delicate balance we try to maintain between awe and familiarity… a thin tightrope we walk anytime we try to define Your nature and decode the way You relate to us as humans. If we spend our entire existence in awe and fear of You, we may feel that we cannot approach You at all. We may, in “reverence”, keep You at a distance, confining You to religious sculptures or impersonal recitations and rituals, too terrified by your “Godness” to consider the thought that we could actually interact personally with You. However, if we fault too far toward familiarity, casually considering You as our “friend”, we run the risk of denying You your deity, and the respect and fear that You so rightly deserve.
God, I confess to You that I have fallen off both sides of this tightrope at one time or another. I get so blown away by your unfathomable power and the enormity of all You have created that I forget that You know my every thought, my every word, my every action – and that You still love me immeasurably. Or I shrink You down into one of my “buddies” that I take camping in the mountains with me, and then wave goodbye to when I leave to travel home… totally forgetting that You are the Maker and Master of the mountains. (In my defense, I must add here that these moments of misconception are not intentional – they are, in most cases, attempts to get my perspective right by focusing on your vastness or your intimacy.)
I long to become a better “tightrope walker”. Instead of the performers out on the tightrope that always look like they are one false move away from tumbling off into the abyss below (mostly well-calculated theatrics in reality, I’m sure!), I want to be like the performer I saw in an old vintage black and white film, who actually carried a chair out there and confidently sat down on the tightrope. I want to find a confident balance between awe and familiarity, understanding to my deepest core that You are both awesome and intimate. And I want to be so confident in that balance that I can rest on it instead of struggling to maintain it. In response to both facets of your nature, I will approach You in wonder… wonder at your wisdom… wonder at your vastness… wonder at your mercy and love. Donald Miller says, “I don’t think there is any better worship than wonder.” (2) I wholeheartedly agree.
ENDNOTES:
1. Donald Miller, Blue Like Jazz (Nashville: Thomas Nelson, 2003), 204.
2. Miller, Blue Like Jazz, 206.